TOOL: Fear Inoculum Tour

In my 23 years of being a TOOL fan and having seen the band live eight times, I can confidently state that the Fear Inoculum Tour harboured their best performance I’ve ever been fortunate enough to experience. And an experience it was.

The Show

The colourfully vibrant visual effects rocked the senses beyond that of any previous concert. Mind bending projections and lasers engulfed the backdrop. Moving lighting rigs pulsed like the music’s heartbeat. And an innovative use of ropes that performed like a transparent screen between the crowd and the stage offered a level of depth that perfectly matched the depth of what I call TOOL’s rock symphonies. After many years of evolution, TOOL’s show has finally become a cohesive unit to make one of the most complete concert experiences ever. 

The only downfall would have been for anyone at extreme viewing angles. Since the visually captivating effects are designed from a front-and-centre vantage point, experiencing what the light and stage technicians intended would require a seat from approximately somewhere in front of the stage. The difference between a head-on view and what the people saw at those extreme angles is the difference between just watching and truly experiencing the show.

The Band

Danny Carey was tight as hell, hitting every beat and carrying the tempo on his shoulders as only a man of his stature and ability can. As one of the best drummers in the world today, Carey had no problem executing with pinpoint precision for the entire length of the set. 

Justin Chancellor’s bass didn’t just add subterranean frequencies, it packaged and air mailed them via a drop kick directly to your chest. To hear a slappy bass or just a low end can be a treat, but Chancellor took the instrument’s potential to a new level.

Adam Jones’ guitar sang every song like Luciano Pavarotti, absolutely nailing all intended notes, noises, and nuances. His artistic creativity was on full display and we as adoring fans lapped it up gratefully.   

Maynard was… well… Maynard. Thunderous vocals, angelic melodies, strange animal like movements made him the icing on the TOOL cake. 

The Finale

TOOL covered songs from every album, save for Undertow, providing a more than acceptable cross-section of their musical catalogue. However, the final song, Stinkfist, was preceded by something not normally seen at TOOL’s shows. Maynard allowed everyone to take out their phones, even jokingly calling for the security to “stand down”. Unfortunately, the irony was probably lost on the majority of the audience, since the song is about the ongoing cycle of boredom and stimulus. Nevertheless, fans itching to use their little digital comfort rectangles didn’t hesitate to whip them out and film the entire closer.

While they were busy screwing around with zooming, getting a steady shot, and optimizing their audio, none of which would ever do it justice, magic was unfolding before their very eyes, as was something else. 

The way the band left the stage felt almost like a farewell. Since the new album is advertised as the culmination of TOOL’s evolutionary music, it’s only fitting for this to be the final tour, with all the members open to go on to whatever other projects they’d like. While I hope this isn’t the case, there was an overwhelming feeling of closure. 

TOOL may very well be done, but the music, the community, and the inspiration of their art will live on. Who knows? Maybe they’ll release a new album in 20 years called “Afterlife” or maybe not.

Cheers to Danny, Adam, Justin, and Maynard for all the great music, and to the stage, lighting, and sound crew for the absolutely mind blowing experience.

Daily Prompt: Quartet

via Daily Prompt: Quartet

I grew up on the oldies, 50’s and 60’s music. When I got to high school, I discovered heavy metal, and fell in love. I felt the power of the music, and searched for the bands that had an inspiring message. My favourite band to this day is Tool, the progressive rock/metal band with a cult following for it’s high quality musicianship, open-minded perspective, and mystery.

After a couple of years I was submerged in a sea of metal bands, and thought that this was the be-all-end-all of music for the rest of my days. My mind would soon be changed when I received a burnt CD of a Tool tribute album by the Vitamin String Quartet.

I gave the album a listen and couldn’t believe how this group of classical musicians could absolutely nail every note, beat, and melody. It acted as a catalyst into my journey through the ever-growing spectrum of music.

I have since expanded my love of music into a number of different genres, with the exception of country music, which has never been appealing to me.

Learn more about the Vitamin String Quartet and the bands that they have covered: https://en.wikipedia.org/wiki/Vitamin_String_Quartet

The Big J is for Jerome

The caravan of tourist driven rental vehicles snaked slowly up the mountainside toward what was once known as the “Wickedest town in the west”. In the distance, rocks formed a large snow-white letter J which contrasted with the foliage and red rock of the Cleopatra hillside as it overlooked the tiny ghost town. I ran my sandpaper tongue over my dry, cracked lips as we passed an old sign that read, “Welcome to Jerome, Arizona”. The anticipation of fulfilling another bucket list item grew stronger with every passing mile. The intense heat of the Arizona desert only served to increase my anxiety. Our twelve-passenger van proved almost too large for the narrow, winding streets of this abandoned copper mining town. As I laid my eyes on my true destination, a pinch on my arm was necessary to confirm my being conscious.

I hopped down from the oversized vehicle, like a child on his first field trip, full of excitement and anticipation. Four of my five senses were abandoned leaving me to survive solely on tunnel vision. I crossed the single lane meant for two-way traffic in a zombie like state. The cavalcade of tourists and local hippies roaming aimlessly throughout the art shops and the spillover of bikers from the neighbouring town of Cottonwood were merely a blur. Being drawn in closer as if caught in a tractor beam, an invisible wall slammed me to a stop but a few feet from the door.

Breathing deeply, I inched forward, for there was no turning back. I had finally arrived at Caduceus Cellars, an intimate wine tasting room owned and operated by a lifelong idol, Maynard James Keenan. Having been a fan of his bands, art, and philosophies on life, I felt a tangible connection to him and his work.

Floating through the winery, my senses were restored allowing the scent of wine and weathered oak barrels, along with the familiar sound of Maynard’s music to comfort me in this surreal experience. Awaiting the arrival of my group, I squeezed past the other patrons, scanning the inventory of wine, clothing and other memorabilia, which lined walls and covered tabletops.

Trickling through the door one by one, our group was boisterously greeted by an unrefined yet welcoming tattooed woman. She stood no higher than five feet with a larger-than-life personality. She promptly took our order returning only moments later with glasses and our first tastings.

I closed my eyes as I sipped away, allowing the fruit and tannins to fill my mouth and nostrils. For the first time I understood the effort involved in the arduous process of working the land, as well as the years of back breaking labour and mental exhaustion before a single harvest was made possible. Most overwhelmingly I heard the Arizona desert call out in approval of my presence.

Jerome, Arizona holds a permanent reservation in my heart and mind, however any visitor will feel an undeniable spiritual connection to this hidden gem.

Holding a copy of the Guelph University student newspaper, featuring an interview with Maynard James Keenan.